The fact that Anuradha’s career took a jumpstart, after her rendering of the Shiv stuti in Abhimaan, also has a Lata factor. Or when she reverently picked up the paper that Lata had left behind after recording a Marathi song and sang it herself on a radio show. Or when a bedridden Anuradha convalesced listening to Lata’s Bhagwat Geeta and reinvented her voice in the bargain. Like the time when a nine-year-old Anuradha (she was known as Alka Nadkarni then) witnessed Lata’s ‘live’ recording in a studio spellbound. But the legendary singer’s impact on her life and art has been surreal. Anuradha Paudwal may have met Lata only a few times. ![]() Her relationship with the late Lata Mangeshkar defies definition.
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